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Daniel Day-Lewis Voices Annoyance Over Method Acting Being Compared to ‘Acting Insanely’ – Which Is Precisely the Reason It Captivates Us

It has been a long while since the public saw or heard from Daniel Day-Lewis. Following his announcement in 2017 declaring he would no longer work as an actor, just before the debut of Phantom Thread, Day-Lewis withdrew from the spotlight. However, in his absence, his reputation expanded further.

The Legend of His Method

Largely, this legend revolves around his preferred style of working. As someone known for immerses himself in the roles he plays – for example, during Lincoln, he had the director address him as “Mr. President” for the entire production – audiences has grown increasingly obsessed with how he works. Is it true he really send messages to co-star Sally Field as Abraham Lincoln? Did he consumed solely game he hunted during The Last of the Mohicans? And did he demand being spoon-fed for My Left Foot?

Madness in their method: has the public lost interest with actorly excess?

Currently, Daniel Day-Lewis is back in the limelight, somewhat reluctantly, promoting his latest movie Anemone. And he is taking this chance to express his frustration regarding how the Method technique is perceived. “I’m a little cross these days to hear various individuals gobbling off and using phrases like ‘gone full method’, which seems is meant to imply that someone is acting insane in a drastic way,” he stated to the New York Times. “Everyone often concentrate on superficial aspects of acting, and those details typically include some form of self-flagellation or a situation that causes extreme unease or mental instability. But of course, in the career of an actor, it has to mainly focus on the inner transformation.”

An Industry Full of Followers

To be honest, this sounds as if Day-Lewis has emerged from his retreat only to discover aghast at the world that has been created mirroring his methods. If you’re regarded as one of the greatest performers in history, and your process involves headbutting a dummy until you break your nose (in Gangs of New York) or spending two days in solitary confinement without food or water (for In the Name of the Father), then it stands to reason that other actors will want to fill that vacuum by imitating your hero.

Adopting an Italian persona … The singer-actress starring in <em>House of Gucci</em>.
Functionally Italian … Lady Gaga in her role for House of Gucci.

Essentially, we now live in a landscape populated by imperfect imitators of Day-Lewis who strive only to show the world the sheer amount of effort they put into their roles. At the shallow end of the pool there are performers such as Lady Gaga, who was so desperate to win an Oscar with House of Gucci that she spent the whole campaign trying to convince everyone that she transformed into functionally Italian over 18 months in preparation.

Additionally, there is Jared Leto, who decided to deeply embed himself into the role as the Joker (for Suicide Squad) through sending “horrifying” gifts to fellow cast members. These items, depending on who you ask, range from deceased animals to anal beads and personal hygiene products, although the actor refuted those worst excesses. And then, of course, there is Jim Carrey, who immersed himself so fully as Andy Kaufman during Man on the Moon that they literally managed in creating a feature-length documentary out of B-roll of him causing difficulties as impossible as he could for everyone around him.

The Modern Followers of the Method

The main Method Guy currently would appear to be Jeremy Strong (formerly Day-Lewis’s assistant), whose approach during Succession was so rigorously detailed that it formed the basis of a critical magazine feature, including statements from people who were worried about his conduct (“The toll to himself concerns me,” remarked co-star Brian Cox) or extremely irritated by his actions (“I remember him causing everyone else roll their eyes,” stated an unnamed co-star).

The actor says he ‘never intended to retire, really’

There are numerous additional cases. Andrew Garfield abstained from sex over half a year for Silence. Leonardo DiCaprio slept in an animal carcass for The Revenant. There’s a fighting chance that Austin Butler continues to talk like Elvis Presley, three years after the movie’s release. All of this, to some extent, is meant to invoke the dedication in which Day-Lewis approaches his craft.

An Admirable But Uphill Fight

And, although his rebuttal to critics of the Method might be noble, a short publicity tour might not be enough to alter perceptions, not to mention their behaviour. Perhaps if he wants to remind people what method acting is, or to demonstrate what it can achieve, then the optimal strategy for Day-Lewis is to just start making more films. Surely we could all support that idea.

The writer

Donna Mccullough

A cultural historian and writer passionate about documenting the evolving landscape of British arts and society.

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