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Soft Cell's Creative Genius Dave Ball Dies, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) established Soft Cell with Marc Almond at Leeds during 1977

The talented musician, one half of the pioneering 1980s electronic music duo Soft Cell, has passed away at the age of 66.

Alongside singer Marc Almond, the duo achieved a global success with their version of Gloria Jones' the classic track Tainted Love in 1984, and their debut album Non-Stop Erotic Cabaret is regarded as a classic of synth-pop.

He later formed the pioneering techno group The Grid, who secured popular acclaim with their 1994 single Swamp Thing.

Ball passed away peacefully in his rest at his residence in London on Wednesday 22 October, just weeks after playing a featured performance with Soft Cell at the Rewind Festival in the Thames-side town.

Recent Health Challenges

During that performance, Ball appeared in a wheelchair, as he had for the previous couple of years, after a spate of health issues.

"I managed to damage myself quite a bit," he stated in 2023. "I broke lower vertebrae in my spine and fractured about multiple ribs and broke my arm."

After catching pneumonia and suffering from sepsis, he was placed in an medically-induced sleep and remained in hospital for half a year.

However, he had been in "a great place emotionally" during the summer, as he was developing a new album with Almond, titled Danceteria, which is scheduled for release in the coming year.

"He was concentrated and very pleased with the new album that we actually completed only a few days ago," stated the singer in a tribute.
"It's truly heartbreaking as next year was all set to be such an positive year for him, and I take some solace from the fact that he heard the finished record and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The band were at the vanguard of the synth-pop movement in the beginning of the decade

Tributes

Almond described his collaborator as "an exceptionally talented musical genius", stating: "He was the core essence of Soft Cell and I'm very proud of our body of work.

"Many thanks Dave for being an immense part of my existence and for the music you gave me. I wouldn't be where I am without you."

His Grid bandmate from The Grid, shared his condolences, recalling Ball's "endless laughter" and "unwavering friendship".

"Forming a partnership with someone is distinct from being in a group, the bond is very tight," he added.
"That was the case with us. We experienced so many remarkable, incredible, life-affirming experiences together. Thank you, Dave."
Dave Ball in 2018
Dave Ball, pictured at BBC Radio 2 in recent years

Early Life

Brought into the world into a one-parent family in the city of Chester in 1959, Ball was put up for adoption when he was 18 months old.

He was raised in the seaside town with adoptive parents Donald and Brenda Ball, who altered his first name from his birth name to David, together with his sibling his sister, who was similarly welcomed.

He encountered Almond at Leeds Polytechnic in the late 70s, where they were both learning art. Inspired by a shared love of Northern Soul, they established Soft Cell the same year, and promptly produced an extended play.

Musical Partnership

The duo were an distinctive pairing: Ball was the reserved musician, bent over his keyboard, while Almond was a charismatic performer, all sparkle and makeup; but they attained a rare creative synergy.

Ball had developed a interest with electronic instruments after watching Kraftwerk perform on a television science show Tomorrow's World, and started to combine moody electronic sounds to the soaring melodies Almond was composing.

Their signature song became the UK's second most popular song of 1981, selling millions of units worldwide. Alongside hits by Gary Numan, Human League and Ultravox, it helped paved the path for the synth-pop sound of the 1980s.

The track was also included on their full-length debut, their initial LP, which spawned two additional high-charting hits: Bedsitter and Say Hello, Wave Goodbye.

They followed the record up with the stand-alone single, Torch, which peaked at number two in 1982.

Soft Cell in the studio
The pair were developing fresh songs right up until Ball's passing

Professional Journey

Fame had its benefits. "I loved being able to afford my first home, having money and travelling, which might seem like a beauty queen," Ball recently told with a music magazine.

But it also caused challenges. "Newfound wealth meant we could afford newfound drugs to alleviate the monotony" of press appearances and television shows, Ball explained.

"I realize that's a common saying, but it's a truism for a valid cause, because it works for so many bands."

During the party-filled existence, the pair were also growing distant, but they succeeded to produce a second memorable record - the wayward, tense and fittingly named The Art Of Falling Apart.

They put out one more LP, their 1984 release This Last Night In Sodom, before dissolving the group to focus on other projects.

Almond went on to have a successful individual path, featuring the top 10 hit Something's Got A Hold Of My Heart; while Ball created The Grid, who mixed dance music with ambient pop over a enduring collaboration.

Later Work and Comebacks

Soft Cell reunited in the early 2000s, producing the Top 40 record Cruelty Without Beauty.

After a further break, they reappeared in recent years, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a farewell show at the O2 Arena on 30 September, that year.

However, they stayed together, recording their latest project, Happiness Not Included, during the 2020 Covid lockdown.

Ball recently described the duo's new album as a tribute to the New York club scene they frequented while making their initial records.

He noted that his period in hospital had influenced the band's sound.

"I experienced strange recollections when I was in and out of hospital because I was on pain medication," he told a publication.
"Our latest tracks are a digital reflection of the sounds in my mind from those days.
"In parallel, it's about the experiences me and Marc got up to in the 80s."

The last versions were finished only a short time before Ball died. It is due for release in the spring of 2026.

The writer

Donna Mccullough

A cultural historian and writer passionate about documenting the evolving landscape of British arts and society.

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